Understanding Mon Have Scales in The Legend of Zelda Games

Scales and music have always been an integral part of The Legend of Zelda games. The memorable melodies played on ocarinas, harps, and other instruments are etched in every fan’s mind But what many don’t realize is that the music in Zelda games is based on unique scales called Mon Have scales As a long-time Zelda fan, I wanted to take a deep dive into what Mon Have scales are and how they contribute to the distinct sound of Zelda music.

What are Mon Have Scales?

The French composer Olivier Messiaen gave the Mon Have scales their name. They are unique musical scales. The main characteristic is that they have a limited number of possible transpositions. For example, the whole tone scale used extensively in Zelda games contains the notes C, D, E, F#, G#, and A#. If you transpose or shift all the notes up a whole step, you get C#, D#, F, G, A, and B which is the same set of notes. There are only two different ways to play the whole tone scale, even though there are 12 notes in an octave.

The symmetry and repetition of notes in Mon Have scales make them very mesmerizing. In total there are 7 Mon Have scales, each with a distinctive mood. Let’s look at how three of the most common scales are used in Zelda games.

Whole Tone Scale

The whole tone scale using only notes that are a whole step apart is the most recognizable Mon Have scale. It has an dreamy ethereal sound that evokes a sense of fantasy and wonder. Songs like the “Fairy Fountain Theme” and “Inside the Deku Tree” from Ocarina of Time use the whole tone scale to transport players to a magical world. The repetition of notes creates a feeling of timelessness as the melody floats along.

Octatonic Scale

The octatonic scale alternates between whole steps and half steps. It has an unpredictable, mysterious quality from the clashing semitones. Koji Kondo cleverly uses this scale for creepy themes like the “Shadow Temple” in Ocarina of Time. The bizarre melody puts players on edge as they explore the macabre temple.

Harmonic Minor Scale

Even though it’s not a Mon Have scale, the harmonic minor scale has an augmented second interval between its sixth and seventh notes that makes it sound exotic. Koji Kondo uses this scale for music that sounds like it came from the Middle East, like “Gerudo Valley” in Ocarina of Time. The driving rhythm and hint of danger perfectly match the desert hideout.

Unlocking Emotions with Mon Have Scales

It’s incredible how versatile the Mon Have scales are at evoking different moods and emotions. Even though the scales use symmetric sets of notes, Zelda composers infuse them with so much color and feeling.

The “Ballad of the Goddess” theme from Skyward Sword alternates between the dreamy whole tone and energetic harmonic minor scale as if narrating the legend through music. The “Dragon Roost Island” theme from Wind Waker mixes the lively octatonic scale with punchy drums to capture the spirit of the Rito tribe.

Through masterful songwriting, Mon Have scales come alive to pull players deeper into the Zelda universe. Next time you hear a familiar melody, listen closer to see if you can pick out the interplay of whole tones, octatonic runs, and minor flats and sharps. Understanding the basics of Mon Have scales will give you a deeper appreciation for the creativity and artistry behind Zelda’s timeless music.